Gigs with Ivan

The Professionals pack ’em in

Anvil, Bournemouth 10.10.19

The start of three gigs in three days for me. The venues couldn’t be more diverse and in three towns and cities. Tonight, my 59th gig of the year, is a short hop on the train to Bournemouth and the tiny Anvil Rock Bar for The Professionals with Poole punks The Mistakes and Self-Abuse as the support bands.

Small venues

The venue can’t hold more than about a hundred in its basement bar. It opened around 2011. I didn’t know about it as a venue until going to see The Ramonas and The Skones here earlier this year, in March.

Not sure about the precise capacities but there are a couple of other classic small venues in this region – I’m not sure I have been to anything smaller than the Winchester Gate in Salisbury, where I also saw The Ramonas in April this year – surely no more than 60-70 able to squeeze in there. Then there is The Railway near Winchester Station which is about the same as The Anvil. I saw Kirk Brandon do an acoustic gig there with a guy playing a cello a few years back. These are great places.

There must be some crackers out there waiting for me still. Any more I should check out?

The Anvil Rock Bar

The Anvil is half a mile down from the main Bournemouth train station, going towards the town, in a bit of a student heartland. The Old Fire Station is opposite, another venue – next size up.

Tonight a substantial merch stand greets on entry instead of downstairs. Fabulous range of t-shirts tonight but these are on the aging punks rather than the merch stand. (I’ve gone with a Pete Shelley number.)

The Anvil’s street level bar, with its wow factor engine block beer taps and decent beer range – including a the Anvil Stout (£3.50 a pint) – is the landing stage before being invited down to the basement.

Tonight’s support bands

First, Self-Abuse (make up your own jokes) from Bournemouth with a chance to play about six songs to this full house… and use Paul ‘Sex Pistol’ Cook’s drum kit.

Original material – plenty to draw on I’m told – with ‘Over the Top’ the winner for me. Lead singer was soon back down the front very actively enjoying The Professionals.

Next, from Poole, The Mistakes. They have been having some success in Europe and supported the UK Subs in a rare Wimborne gig recently – which I went to – a lot of familiar faces from that gig here tonight (including Rob from Wimborne Square Records).

There was substantial piece about them in Vive Le Rock in the Summer.

The Professionals

The Professionals were bulging out of this small packed venue from the start. The 4 inch high stage could barely contain them. Loud and punchy. ‘Silly Thing’ and ‘Kick Down the Door’ the big ones with plenty of new stuff in there. We got enough but wanted more.

Not great for pics in the cosy basement so more of an image to confirm my presence.

An ex-Sex Pistol in the Anvil in 2019. Wouldn’t have predicted that one.

Paul Cook was escorted upstairs and away afterwards. What a legacy the Pistols left and he was part of it.

Last year in Birmingham

As I haven’t been recording my rock’n’roll manoeuvres very long, I’ll just park a few photos here that I took at their O2 Academy gig in Birmingham last summer, supporting Billy Idol.

Tom Spencer – The Professionals 21.6.2018

Paul Cook – Professional Pistol – Birmingham O2 Academy –
June 2018

Psychedelic Furs back in the UK and back in Pompey

Pyramids Centre, Portsmouth 3.10.19

The Pyramids Centre – the venue

The Pyramids Centre is on the sea front at Southsea and boasts “fun leisure pools, funky flumes, wacky waves, pool inflatables and a three-level soft play adventure world filled with mazes, climbing nets and ball pits”. Perfect for a King Kurt gig maybe but is this the right place?

The not so ancient
Pyramids of Portsmouth

In the venue pyramid there is what I thought beforevwas a sports hall but it is carpeted (was it before) – new pyramid design carpet – chewing gum ban in place (cloakroom tickets issued for every pack found). This is tonight’s venue. It holds 1200 and is unsurprisingly square given the pyramid building thing.

New pyramid themed carpet inspires chewing gum ban

Doesn’t sound that inviting does it but this complex was opened in 1988 in a move to make Portsmouth more of a leisure destination. The leisure centre works and bands came to play. It remains a convenient popular venue on the middle tour circuit an its relatively short history (by venues’ standards) has included Hawkwind, Muse, Kasabian, Radiohead, and The Prodigy. I’ve been here previously, not for several years until tonight’s ‘Furs’ gig, to see The Stranglers, Shed Seven and Killing Joke.

I prefer this to the O2 branded Southampton Guildhall echo chamber. There is free evening on street parking around on the wide roads of Southsea Common. Trains to Portsmouth Harbour or Fratton do mean a bus, taxi or long walk though. Excellent foodie pub The Florence Arms, Florence Road, is a few hundred yards away or there is the more prominent Jolly Sailor. The bonus is views of the Isle of Wight and a busy stretch of The Solent from The Esplanade – if you get there in the light (which we did, before visiting The Florence). Always tempted to stay over when in Portsmouth as it’s a bit of hack back to Poole on a ‘school night’. No choice this time. On to the gig.

The Wendy James Band featuring… Wendy James!

Tonight’s support is The Wendy James Band, that’s Wendy James of late 80s post punk popsters Transvision Vamp, with…a band, a good band, a really good set of musicians, but of course Wendy James is what this is about – old Transvision Vamp hits – and they were hits – remember…. ‘Tell That Girl to Shut Up’ , ‘Baby I Don’t Care’, ‘I Want Your Love’? – along with some more recent solo material. This is a really good choice for support on the tour – a bonus. I’ll leave it there for now as there’s another date on the tour I’ll be at.

My Furs experiences

My Psychedelic Furs listening started while at school. I picked up the first album, on cassette, from the sale bin at Sunbury Cross library, so it had already been played to the point of near destruction I guess. The Furs seem to have been my cassette fetish. Obviously I’ve had to buy stuff all over again at the turn of the century due to technological difficulties and my audio modernisation program.

Although at the time I was aware that the Psychedelic Furs were ‘from London’ and lead singer and songwriter Richard Butler was at art school somewhere nearby, I only recently discovered that he was born in Kingston, as I was. His brother, bassist Tim, was born in Teddington. These guys must have lived around me and my school mates….I’ll find out where at some point. Perhaps it was all too suburban to mention. After a few albums, in 1982 they were off to America anyway and there they stayed. Meanwhile I returned to Sunbury Cross library to buy their third album, Forever Now, from the used items sale bin.

Richard Butler is a pretty successful artist (painter) and has been for many years, now living in New York. Portraits of others in which he portrays himself seem to be his thing. I found this piece gave a good insight:

http://www.101exhibit.com/artists/richard-butler

I managed to see The Furs twice, in the Midlands, before they stopped touring for eight years in 1992. Being U.S. based for so long opportunities haven’t come that often.

The official video for the wonderful ‘Sister Europe’:

https://youtu.be/-R96oxrDHWs

After mainly touring in America, where they were based, I was keen to get to see them and went to Kentish Town Forum with my mate Chris (CMe) for the Talk Talk Talk album in full and more, with all those wonderful trademark hand gestures from Butler R (and my mate Chris), acting out all the lyrics.

Two years ago my Furs appreciation was still re-booming and I went to two gigs on their October tour, at the small O2 place in Bristol and back at the Forum in London for another evening of hand gestures from Butler…and my mate Chris.

Indulgence over with. Some pics from tonight’s gig. 😎

Live in Portsmouth 3.10.19

Not a sell out tonight in Portsmouth. A bit of room to move about and get to the two bars.

I presume the set will be similar throughout the tour. It draws from their albums through the decades. There are few bands where I can listen to the whole set and know every song by name – there was one I didn’t know the name of. I think more analysis and comparison when I’ve been to the London gig at the end of the tour. It was all there though: Sister Europe, President Gas, Dumb Waiters, Into You Like a Train, Love My Way, of course the predictable Pretty in Pink, Heaven and last was India as an encore.

Gesturing fully up to strength – lyrics in mime. No chat, just artistic gestures. Saxophone and oboe magnificent. Some in your face bass from Tim Butler, stalking the stage.

‘Heaven’ ? …maybe. Songs in mime by Richard Butler

All home happy on a rainy Thursday night.

One test is which song do you wake up ‘singing’ around the house to while getting ready for work the next day, in a rasping voice….mine was ‘Heaven’.

Here’s a video of it, with lyrics, to have a singalong to: https://youtu.be/VcINmpMR7e4

I caught up with both bands again later on the tour in London: https://gigswithivan.home.blog/2019/10/15/no-tears-party-time-is-here-again-psychedelic-furs-with-the-wendy-james-band/

Live and Unheard – in Poole – Part Two

Poole Lighthouse 2.10.19

On Wednesday evening I returned to Poole Lighthouse for another ‘Live and Unheard’ session in the Sherling Studio. Three local acts given a showcase in surroundings where everyone can focus on the music and the artists, rather than accommodating the distractions of a rowdy pub gig – not quite everyone respects that of course – and free of pressure for crowd pleasing covers.

These evenings are presented by Matt Black. What a great idea. This one is a sell out – the studio seats about 100 – and my partner put us on the reserve list and we got the call 30 mins before the start.

I did wonder about recording this evening in my blog. I don’t hold myself out as a music critic – there are plenty of places out there doing that. I don’t see it is for me to criticise artists, all of whom I have huge respect for just for getting up and playing, never mind writing their own stuff. These are not big name acts. But this blog is about the experiences of ‘a grey haired gig goer‘ and having seen another hat-trick of acts, making a note and posting some pics is irresistible, for myself if no one else.

Tonight we were introduced to ‘TOBIAS IN FLIGHT’, ‘HENGISTBURY’ and ‘DD ALLEN’.

Tobias in Flight

“27 years playing guitar”, TOBIAS IN FLIGHT played solo but referred to playing with a band as well. Original songs reminiscent of Radiohead’s high pitches.

More Tobias in info:

https://tobiasinflight.bandcamp.com/merch

Hengistbury

A country duo, that are much more than just that. What appealed to me was that this was a genuine duo with shifts between the two of them rather than the country singer with a bloke in tow thing.

Pete, with a voice like Passenger at times, got the banjo out along with a sit down guitar (a lap steel as referred to in their link below).

https://www.hengistburymusic.com

They are described on their website as ‘charmingly country’. They were.

D D Allen

In the Sherling Studio at Poole Lighthouse

What a find and thanks Matt Black for getting DD ALLEN to top tonight’s bill.

80s Classics – China Crisis

Engine Rooms, Southampton 27.9.19

Can there be anyone more classically early 80s than China Crisis? I associate their synth pop sound with 1982-83-84….. and I had largely left it back there until recently. I saw them support The Thompson Twins at Hammersmith Palais on 12 April 1982 and later in ’82 supporting Simple Minds at Birmingham Odeon in December 1982. Despite hearing their singles at every student night out going and listening to my Brum housemates’ albums, I didn’t buy any of their material.

Earlier this year in Basingstoke

For me they remained back in the 80s until April this year when we popped up to the rock ‘n’ roll town of Basingstoke to see them at The Haymarket Theatre. Vocalist Gary Daly had lots of stories and jokes – almost stand up at times – great sense of timing. He got the audience going at a mention of Brexit at one point, asking for a show of hands on a few key questions and nearly whisking the audience off on an unwanted tangent before calming them down with another gentle 80s hit.

A snap from the back of The Haymarket Theatre

It was a quiet seated gig and we were near the back so I thought I’d take the opportunity to see them again on a Friday night, at Southampton’s Engine Rooms.

Tonight’s venue: The Engine Rooms

This venue is in an even less likely location than Southampton’s 1865 and looks even more like a light industrial unit – this one on the inside as well – ventilation pipes and all – it is an industrial unit. It is Unit K on the Quay Road Industrial Estate, just beyond IKEA down towards the docks in a street off to the right. A 0.7 mile walk from Southampton Central train station through the retail park or if driving you can park at the cinema complex, next to the casino visible on the main road. There is a bar in Franky and Benny’s in the cinema complex (this later closed permanently) TGI Fridays is just up the road but these are not really pre-gig pub substitutes. Wetherspoons (The Standing Order) down the bottom of town is a bit more of a walk away.

The venue holds between 400 and 800 people (says the website) and there is a divider curtain that can make the bar area bigger or gig area bigger to suit. With a band on I would think 600 max with the stage up.

A packed Charlatans gig here in February 2016 opened my eyes to the place – how they landed that one I don’t know. They get some good medium popularity acts and older well known acts. I’d heard the sound wasn’t that good but this seems to depend where you stand – I’ve been several times now (Undertones, Ride, Nick Lowe, Sleeper, Graham Parker). I don’t think standing next to a side wall is a good idea and, as usual, hanging around the mixing desk area is a good bet.

The stage is quite low and some neck straining to see sometimes but it goes with the small venue experience and this place is bringing the bands to Southampton.

(All photos in my blogs are my own unless stated – sometimes I get lucky and sometimes I don’t but they’re mine.)

Tonight’s performances

No support band and two 50 minute sets tonight. The first one less familiar tracks and second half with the better known hits but both sets well received. This is ‘hard not to like’ 80s classic synth pop.

Setlist link below:

https://www.setlist.fm/setlist/china-crisis/2019/engine-rooms-southampton-england-439c033b.html

Lead vocalist Gary Daly does nearly all the chat. He’s a cheeky comedian having a mock dig at 80s ‘rivals’ like OMD with ‘even less live instruments on stage’ and pulling his hair down over one side of his face in a pop at Human League’s Phil Oakey.

Eddie Lundon on guitar does lead vocals on some songs and he is the face and voice I remembered most from the old pub video juke boxes, but Gary Daly is the main vocals man, still with a beautiful voice.

Here’s Eddie Lundon on the 1983 video of ‘Wishful Thinking’:

https://youtu.be/pd0FCSXk9z4

Joining originals Gary and Eddie on tour are a talented young keyboard player, Jack Hymers and saxophonist, Eric Animan. Brilliant. (Thanks to Kim on China Crisis Appreciation Soc Facebook group for their names.)

The second half included favourites King in a Catholic Style, Christian, Wishful Thinking and Black Man Ray. These are great songs. Mellow and nostalgic.

The thoroughly 80s video for ‘Black Man Ray’: https://youtu.be/7WOAyDLxD9g

The room is fairly busy but still space to get close for a few pics. I do like the freedom to be able to wander about in a gig and get a few different views and sounds. No sweaty crush tonight.

What a lovely night and friendly feel. I wonder if Sham 69 will be like this? 😎We hung around for a bit and grabbed a few selfies. My partner Sally asked for a poster from the box office (thank you guys) which she got signed. The benefits of a smaller local venue eh. I’m sure we’ll be back here soon.

New solo material

Gary Daly has released some new solo material this year. CDs on sale at the gig and downloads available through Music Glue link below which was posted on the China Crisis Facebook pages.

https://www.musicglue.com/gary-daly/products/gone-from-here-remixed-ep

The Sisters of Mercy: out of the darkness

London Roundhouse 20.9.19

Fighting Cocks 1983

One night in January 1983 (I looked it up – it was 21 January), I wandered into the Fighting Cocks pub in Moseley, Birmingham to see the Sisters of Mercy, the princes of 80s darkness. They played from within clouds of dry ice in the pub’s upstairs gig room. I was with my student house mates Andy (AMu), Nige (NCh) and Steve (SLe) – we think – Andy is here tonight along with Wayne (WMo), from school/ teenage gig years, and Dave (DPi).

I can’t remember much about that Moseley gig. It was dark, smokey and over 36 years ago. We were probably wearing second hand big coats and jackets – dead men’s gear from ‘the Digbeth tailors’.

My student housemates returned to the Fighting Cocks in 2015 and had lunch and a few beers there. Some framed posters of 80s gigs were up on the walls, including the legendary Smiths one we missed – we heard about it an hour after it finished, having been in another pub down the road in Balsall Heath…perhaps by pre-mobile carrier pigeon or someone passing on horseback.

The barman sensed our nostalgic excitement at the old Fighting Cocks gigs and asked if we wanted to go up to where the bands used to play. “What? It’s still there?”. “Yeah. No one uses it now: come and have a look.”

He unlocked the door and up we went. It was left virtually untouched from the last gig, decades ago. Dusty old glasses and cans. Holes in the well pounded floorboards. A wonderful accidental museum of rock, indie and post-punk.

Me and Andy survey gig history at The Fighting Cocks

After 1983 I didn’t see the ‘Sisters’ again. I listened to them. I had long since mangled and thrown away tapes. No vinyl and picked up some CDs much later. I managed a ‘Mission’ gig in Birmingham with ‘Sisters’ exile Wayne Hussey clambering all over the speakers in Birmingham’s Hummingbird in Dale End….but no ‘Sisters’ gig until tonight.

My ticket for the speaker clambering Hussey gig

The Roundhouse

On to tonight’s gig in London. Fabulous structure, The Roundhouse. A now revamped and reborn arts centre that was once a train engine shed with a turntable prescribing its roundness.

In my teenage London gig going years I never came here despite the lure of half The Stranglers’ Live X-Certs album being recorded here. I finally got to see The Stranglers here about seven years ago and have also made the trip up from Dorset in recent years for The Damned, Killing Joke, House of Love and the magnificent return of The Skids. Top mid-sized venue.

Support band: Amenra

We watched the Belgian (!) support band, Amenra, described by varied metal genres, from the upstairs side bar (members pass gets you in). Hard to take your eyes off this onslaught. The lighting made everything look like an old photo. Neck jerking stuff: lead singer with his back to the crowd for long periods. Maybe the best Belgian rock export since Plastic Bertrand.

Amenra lighting give Roundhouse crowd a sepia look

The Sisters

Out of darkness they come. Andrew Eldritch and his current Sisters of Mercy: the band has been a very stop-start affair with a considerable turnover of members…including Tony James of Generation X and Sigue Sigue Sputnik (who went to my school in Hampton I discovered recently – where is the blue plaque?).

Maybe our ears are getting worn out but the sound was a bit quiet to start. Maybe too close to the balcony so we moved in a bit. I’m clearly not as well versed in the Sisters’ material as I thought but the early gem for me was ‘Alice’ with ‘Marian’ shortly after. (Full setlist linked below.) ‘Mother Russia’ and ‘Lucretia My Devotion’ were other highlights. Temple of Love was fast and topped by the wonderfully predictable finale of ‘This Corrosion’…”hey now, hey now now”, in our deepest voices…not as deep as Eldritch’s, obviously.

Link to full set list: https://www.setlist.fm/setlist/the-sisters-of-mercy/2019/roundhouse-london-england-5b9cc32c.html

The band were barely visible at times, appearing occasionally in beams of white and red light, with Eldritch’s unmistakable deep voice penetrating the gloom. This wasn’t a retro look back. Not a greatest hits parade. This had the atmosphere of an 80s gig.

Later Eldritch disgarded his black jacket to become the most brightly dressed guy in this dark place, revealing a flowery shirt….even goths have one in the back of the wardrobe then.

They are on for two nights here. I would have loved to have gone to the second, hoping for another variation on tonight’s set list.

Food and drink nearby

No shortage of pubs and other places to eat on Chalk Farm Road. The Enterprise Bar opposite the venue is a lively pub with good ales on but it can get packed and hard to get served before blokey Roundhou8se gigs. Joe’s bar slightly further down on the same side is my preference, especially afterwards with a selection of retro DJ nights running through the week.

We tried the Muang Thai, only 100 metres from the venue for food. Good. I’m sure we will return. Prompt, as required. The Vietnamese down the road near the bridge at Camden Lock is excellent – Thanh Binh. Both good for healthy choices.

Chalk Farm tube station on the Northern Line (Edgeware branch) is best for The Roundhouse but if you have the time a walk up Chalk Farm Road from Camden Town tube station, and the lock if time is on your side.

Spear of Destiny – One Eyed Jacks 35 years on

The 1865, Southampton 11.9.19

I took the train….to Southampton on Wednesday night to see Kirk Brandon in Spear of Destiny mode.

The 1865 is just over a mile from the central station, down the bottom of town in a well signposted but unlikely looking street when you get to it. Wetherspoons’ Standing Order is a handy nearby pre-gig watering hole.

From the outside the 1865 looks like some sort of industrial unit – it can’t be here can it? Inside it’s warm carpet and black curtains – felt a bit like being in a 70s Double Diamond advert. I like it. Only been once before .

Support band Feather Trade – view from the raised bar area

I like the location of the bar here, up stairs away at the back of the venue. You can stand up there and survey the place, including the merch stand have chat and it not be in the way or disruptive for the stage. Perfect to see a support band from. The stage entry is odd, with the bands coming on through the crowd and up a few steps at the front. Crowd parting to let bands off.

The club holds around 700 and it ends up half full tonight. With frontman Kirk, in Spear of Destiny are Craig Adams on bass (The Mission/Sisters of Mercy), Adrian Portas on guitar (New Model Army/Sex Gang Children) Phil Martini on drums and keyboardist and sax players also. (I have to look these things up – I recognise people from different bands but would rarely get names.) Full on ‘Spear’ sound. Adrian Portas was stand out brilliant on guitar.

One Eyed Jacks is the best SoD album for me and most so it was great to have the whole album played on this 35th anniversary tour. There is a re-recorded version on sale and available on the merch stand. It’s one of the vinyl albums I played repeatedly when it came out. Lots of rousing choruses.

On the merch stand there were two SoD CD boxed sets that looked good if CD is an option wanted. One of first three albums and one of another four. £20 each.

After the One Eyed Jacks airing some other classics with my favourite being ‘Grapes and Wrath’ off the first album but the whole set was really good – good sound.

Adrian Portas on guitar – brilliant guitar

This was a mid-week gig. Not wild. A room of largely men in our 50s feeling nostalgic and occasionally punching the air. I’d happily go again tonight.

I went along to this one with mate Chris (CMe) from Coventry days and Andy (AMu). I think we were doing a good punk rock version of Last of the Summer Wine. These are great ways to spend Wednesday night in September.

Always worth taking away a some haircut styling tips from Kirk Brandon so this last photo is one I can show to the hairdresser next visit….

Can you just do the back like this please? Kirk – legendary hair cuts

My Kirk Brandon Years

My Kirk Brandon years? I suppose that would be 1982 until now.

Maybe I had a lull; Kirk himself had a lull, but from Westworld onwards, with or without bassist Stan Stammers, Theatre of Hate or Spear of Destiny, I have never let it go. Kirk is back on tour and up the road in Southampton so that’s the gig of the week for me: Spear of Destiny and the One Eyed Jacks Tour.

With a bit of virtual digging there are two early Theatre of Hate gigs I was at: Digbeth Civic Hall, Birmingham and a chicken dance frenzy at the legendary Hammersmith Palais, with Southern Death Cult supporting. By this point the early Kirk outfit The Pack had come and gone, leaving St. Theresa, King of Kings and Legion amongst the rough diamonds of those early recordings. Legion, for me, is still one of the most frantic, exciting tracks of the punk/ post-punk era.

Digbeth Civic Hall, Brum –
Theatre of Hate 1982

Legion, legion, legion, legion…on YouTube: https://youtu.be/yAC4QRK6b5Q

It was ‘Do you Believe in the Westworld’ that brought wider attention. Maybe the most attention Kirk Brandon ever had. This early Top of the Pops appearance, introduced by John Peel, showcased the ‘Westworld’ single. https://youtu.be/2E_P90oTKa0

In the early 80s I really wanted to get a bleach blonde Kirk Brandon haircut but never got there. Perhaps it’s too late now…never say never eh. I found four of my Spear of Destiny tickets stashed from that early 80s period and I think that was all of them – I seemed to get more careful with them later on. Aston University, Birmingham Powerhouse and Leicester’s De Montford Hall in my Brum years.

In August 1984 the soon to be abolished Greater London Council (GLC) put on the free festival in Brockwell Park with SoD and The Damned amongst the irresistible line up. I recall a a fight with broken cider bottles during New Model Army that got part of the crowd moving…running.

A later big single was ‘Never Take Me Alive’ which made the top 15, when charts still mattered. https://youtu.be/ohN0KIyP8m0

A sign of the times: for the fourth Spear of Destiny album, featuring ‘Never Take Me Alive’, I ventured into the rather short lived cassette market. How we miss their quiet unravelling when left unattended – razor blade sellotape and pencil at the ready.

My last ‘Spear’ gig of the century was on the joint headline tour with Hugh Cornwell, once of the Stranglers, in Nottingham, with my mate Chris (CMe), who is coming along to Southampton this week. He tells me it was called the ‘heads and tails tour’ because Hugh and Kirk would toss a coin to see who went on first. Kirk must have lost in Nottingham. That could be nonsense. He went on first though.

Nottingham 1998. Another ticket ‘to be retained’.

The Rig was an annexe to the main 2000 capacity Rock City that was operated as a separate venue holding about 400. This smaller venue has now become ‘The Blavk Cherry Lounge’.

Bit of a lull after that. Nothing until 2015 and then twice in 2015 – no tickets saved and a bit of Googling required – an acoustic gig accompanied by a cello at the Railway Inn, Winchester (with mate AMu) and an excellent, raucous Theatre of Hate gig at The Garage in London (with CMe again).

I returned to Winchester for Kirk’s appearance as part of ‘supergroup’ ‘Dead Men Walking’ (18.6.16) in the library (Discovery Centre). That was with Stiff Little Fingers frontman Jake Burns and two of Ruts DC. Quite a lot of chat and stories. The line ups have altered each tour. Worth a look.

Kirk Brandon – Shepherd’s Bush 30.6.18 Theatre of Hate

Theatre of Hate (30.6.18) Shepherd’s Bush O2

After these more acoustic shows, in June last year I caught up with Theatre of Hate when they supported The Skids at Shepherd’s Bush O2. A great set. Got a chance to meet Kirk backstage, along with The Skids, via some special tickets. Top night. (+DPi, AMu, GGu, SNi, SDu)

Off to Southampton we go then. The 1865 for The One Eyed Jacks Tour. Wednesday night. Perhaps I’ll get a haircut.

Live and Unheard – Poole

Capulus. Poole Lighthouse 4.9.19

Wednesday night in Poole. My 51st gig of 2019. 133 performances by 123 different bands this year. Still there are surprises; exciting surprises.

After a four hour round trip to Bristol on Tuesday it was a relief to be able to walk to tonight’s gig in the studio at Poole Lighthouse arts centre.

Over the years being able to walk to a anything other than a pub gig has been an extreme rarity. The Lighthouse’s main auditorium is a biggy and not many broadly rock pop bands play there – Simple Minds and Marc Almond were a notable and enjoyable exceptions that I went to in recent years. The smaller theatre, with its steep bank of seating, which is home to comedy, ballet and plays can handle a smaller crowd – I was there for Glenn Tilbrook earlier this year.

The Sherling Studio, tonight’s venue, holds around a hundred people, seated around two sides in five or so rows of terraced seating – about 70 in tonight for this new acts taster. A monthly event put on by local musician and record producer Matt Black, which brings an opportunity for local bands and performers to play in a well organised setting with good sound and lighting. £9.50 a ticket. We shall try this again…with partner (SSo) tonight.

We bought tickets when we bumped into local singer songwriter Rujiero playing an open mic gig in Bournemouth but when we rocked up tonight he was there with his arm in a sling and out injured. Shame. We will catch up with his full band show soon.

Tonight, first up was solo singer songwriter Charlie Cole, followed by the full sound of Inner City Smugglers. All good entertainment but next were Capulus.

Four piece, loud, young, confident, matching trainers and band logo backed hoodies and full of energy. From Kingsbridge, Devon I read later. Gripping immediately and animated. The bassist off was straight off playing up around the studio seating – no low key mid-week approach here. This was great. Elements of Muse sound I thought – a bit of Foo Fighters – a slow down with a bit of Pink Floyd – mostly own rocky material and to finish ‘The Greatest Song in the World’, the Tenacious D epic. What a surprise treat on the this Wednesday ‘school night’. I’ll be looking for them playing again soon. Standing ovation. Wow. Well done lads.

Capulus in the Sherling Studio, at Poole Lighthouse.

‘An Evening with Richard Jobson’

St. George’s, Bristol 4.9.19

Beforehand I wasn’t quite sure of the format of Tuesday night’s gig. At one point I had a question mark over whether this was a gig or a chat but ‘an evening with Richard Jobson’ was exactly what it was. A gig and as billed.

St. George’s, Bristol – Tuesday night’s venue

In the recently renovated, historic and smart surroundings of St. George’s, Bristol, this was the songs of The Skids stripped bare to expose the lyrics and put in context by Jobson. Each song individually wrapped to be savoured without the usual sea of electric guitars, drums, Jobbers’ dancing and mosh pit. It worked. A real treat for any Skids enthusiasts.

Yes Jamie and Bruce Watson were there providing acoustic guitar and vocal backing (with the classic Watson t-shirts and Bruce solo material at the merch stand) but this was very much a Jobson production.

The two part evening was opened by Bruce and Jamie Watson (both play with The Skids as well as Big Country) with a couple of numbers including ‘Fragile Thing’ which Bruce introduced as “the last song that I wrote with Stuart Adamson”.

Jobson came on and explained the reasoning for wanting to revisit the Skids material in an acoustic way and how the recently released album ‘Peaceful Times’ was born, and we were off, with ‘Hurry on Boys”.

For me what was notable from the set list for the first half was how well three songs from the 2017 album ‘Burning Cities’ stood up alongside other Skids’ classics. ‘Kings of the New World Order’, ‘World on Fire’ and ‘Desert Dust’, which I shall be revisiting and hadn’t fully appreciated – the last track on ‘Burning Cities’ about recent middle east war zones.

“The added context makes the songs more memorable and meaningful, already.”

Audience questions were invited at various points throughout and these extracted tales and detail from Jobson, a tactic which must bring individuality to each night on the tour. The added context makes the songs more memorable and meaningful, already. I will just share a couple.

John Peel

Before playing ‘Charles’, one of the first Skids recordings, Jobson, prompted by a question, referred back to that grip that John Peel’s Radio 1 show had on all of us of an age: listening every night to new sounds mixed with older classics. The band had sent in a recording of ‘Charles’ and one night after presuming it had been passed over Peel played it – Jobson’s jaw dropped as he recounted that moment. Their moment….then the next night Peel played it again, and again, and more. This was it. A gig shortly after, at the Red Cow in Hammersmith, The Skids signed to Virgin Records as a result.

The Saints are Coming

‘The Saints are Coming’ was introduced with the tale of the out of the blue phone call Jobson took from The Edge of U2 to get him down to London’s Abbey Road Studios to ‘have a talk about something’. When he got there Green Day and U2 were recording ‘Saints’ as a charity single. Jobson gave them the freedom to use it, with all proceeds going to a post Storm (Katrina) flooding music project for young people in the New Orleans area. The Green Day/ U2 version was released and first heard at the New Orleans Saints’ stadium and went to number one in countries all over the world. Jobson never took a penny. “What goes around, comes around” he reflected.

YouTube link. U2/ Green Day video of The Saints are Coming: https://youtu.be/PD_0fqvT32g

During the evening Jobson also opened up on more negative experiences like the break up of The Skids, The Joy album, and the failure of The Armoury Show to gain traction, while Big Country toured the world with Bowie and the Stones.

After the second half, which included a stunning solo vocal rendition of ‘Waltzing Matilda’ and a rare outing for the Armoury Show’s ‘Castles in Spain’, this absorbing ‘evening with Richard Jobson’ and the Watsons ended with ‘Into the Valley’. Well how else could you end?

Before the show

Pre-gig posing with Jobbers
(Photo by DPi)

There were some familiar faces and some new friendly ones in the hall early before the gig. Relaxed catch up and time to get some stuff signed – given the opportunity I had some CD covers signed and a couple of photos I took at a gig in Frome last year. (A meet an greet option this. An area to explore in another blog some time.)

If you are in the centre of Bristol at St George’s or O2 Academy for instance and want a prompt sit down meal then Wongs Chinese restaurant is well worth checking out in Denmark Street.

It’s a couple of hours by car for me to Bristol and hopelessly inconvenient by train but it is a great city centre at night and I always enjoy coming here, especially when staying over. This was a memorable and different mid-week gig experience, tonight with DPi and ‘Glasto Nige’, with a late drive home for all of us.

The Skids back on track

This week I’m heading to Bristol on Tuesday night to catch THE SKIDS acoustic tour, or ‘An Evening with Richard Jobson of The Skids’ as it’s billed.

My first SKIDS gig was 1980 at Hammersmith Palais. Circus Games was high in the charts. Jobbers was sporting cricket whites. Great venue the Palais. Don’t recall any bad gigs and this was a cracker. My teenage excitement was filed in a scrapbook I still have.

Stuart Adamson cutting from Sounds with my ticket

That was the only time I saw them first time around, despite having all the albums. After that I saw the Armoury Show a couple of times in Birmingham the 80s: Aston University and I think Edward’s No 8, a nightclub in town. Meanwhile Stuart Adamson had ventured out with Big Country, who I caught supporting U2 at Brum Odeon in March 1983 and later that year at Reading Festival for the alarming stage pyrotechnics set (With long time school mate GGu).

Stuart Adamson’s Big Country at Reading Festival – my ticket £7!

March on more than 30 years and THE SKIDS re-emerged for a tour in 2017, having done some one off gigs. Original line-up minus Adamson RIP but with Bruce and Jamie Watson from Big Country on guitars. They were back out of the box and into the studio with a new well received album ‘Burning Cities’ – checkout ‘Kings of the New World Order’ and ‘This is Our World’.

The new album and Live CD of 2017 London Roundhouse gig

The 2017 London Roundhouse gig was a reunion for a bunch of my mates as well (DPi, GGu, AMu, PMo, DSy), sparking a new enthusiasm for THE SKIDS live.

Big GGu, Jobson, me, AMu at The Roundhouse 2017 (Photo by DPi, our Skids ‘operations manager’)

Mate and gig buddy DPi sorted an excellent trip for the two us to Belfast in December 2017, a double header gig with Big Country at The Limelight 1. The following June we went to the Cheese and Grain at Frome gig and Shepherds Bush O2, the latter being a particularly good night, Theatre of Hate supporting and some special tickets which got a group of us from Brum student days backstage.

Richard Jobson – Frome, Cheese and Grain – June 2018

In February 2019 the latest gig going venture organised by my relentless gig buddy (DPi) was for a group of us to go to the Butlins Alternative Music Festival – my Butlins debut. Who was headlining one of the nights? THE SKIDS of course, with Big Country also. The Butlins bouncing ballroom floor was in full flex.

Bruce Watson – with The Skids and Big Country – Butlins 2019

Then the finest performance of all in this run of middle aged Skids-mania: The Albert Hall in June 2019. This joint gig, headed by Buzzcocks, and with the excellent Penetration, was all set up a year before. Jobson told us about it the previous June. In the interim there was the sad, sudden and shocking loss of Pete Shelley which led to some speculation about the gig Albert Hall event. It became very much a memorial gig for Pete Shelley with various guests performing with the various other Buzzcocks, including Jobbo doing a stint.

THE SKIDS set didn’t focus on that emotion. This was THE SKIDS celebrating their return first. Jobson, with visibly more power than ever, delivered a masterful performance with the band in the amazing surroundings of the Albert Hall.

So you can see why I’m looking forward to this Tuesday in Bristol.

It looks like calmer affair – acoustic set accompanying the new SKIDS acoustic album, entitled, presumably ironically, ‘Peaceful Times’.